Thoroughbred Naming Conventions/Protocols

When you’re sitting back in your rose pink Cadillac making bets on Kentucky Derby day, ponder this:

13 horses have won the Triple Crown: Sir Barton (1919), Gallant Fox (1930), Omaha (1935), War Admiral (1937), Whirlaway (1941), Count Fleet (1943), Assault (1946), Citation (1948), Secretariat (1973), Seattle Slew (1977), Affirmed (1978), American Pharoah (2015), and Justify (2018).

In fact, you have to go back to 1958/1959 Kentucky Derby (1/3 of the Triple Crown) in order to find horses with somewhat “regular” names winning such a prestigious race.

1958 We saw a winner of the Kentucky Derby by the name of Tim*, a nice regular everyday name.

1959 We had a horse by the name of Tomy Lee win the race. Although it is a funny spelling of Tommy, it is still another great regular day-to-day all-American name.

With horse racing being such a Great American tradition, why then don’t we see more regular everyday names on winning thoroughbreds especially at the higher more prestigious levels?

While I have yet to really research the matter, I can’t help but wonder what kind of message it sends to young breeders? “Don’t name your horse Frank or Tanya because they will never succeed against the likes of Continuation Ministry, Adoption Problem, or Provincial Telecommunication.” or worse: “You’re not good enough. Quit.” And even the one-word names that get used are abstract and well… Kind of… Dumb? Pretentious? Douchebaggy?

I am sure some of you will throw this one in my face:

Tradition, heritiage, bla bla bla…”

Bullshit.

Look, I don’t even know where I am going with this and maybe someone reading this can shed some light on thoroughbred naming protocols for me. I’d appreciate it.

Meanwhile, I am going to dismount the pulpit and slither away…

Like a horse** with no name…

*Tim Tam: Unconfirmed at this time whether the horse was named for the delicious Australian cookie.
**Snake… That would be a snake with no name. A horse would trot or gallop… Not slither so much…

Smells Like a Bad Idea

Seattle, WA. A typical Saturday night, a typical live music venue. It’s a struggle these days in the era of the plague, but they say the show must go on. And as that show went on, a band found themselves pelted with rocks and garbage nearly from the opening note to the end of their abbreviated set.

Starkville, Mississippi’s Nevermind is a tribute band with a unique “mash-up” twist founded by brothers Kyle and Ezra Wagoner in 2016. In an area where people tend to prefer country and western music, the band knew they’d have to set themselves apart. The gimmick they arrived at was to perform the songs of Aberdeen, WA’s legendary Nirvana in the neo-technical/progressive power-metal style of Nevermore, another hero hailing from Seattle, not far from Aberdeen in the same region as Nirvana. When they got the Seattle show confirmed, it was a dream come true for the brothers and the band. “I can’t wait for them to see my re-imagining of the solo for Teen Spirit in the home of grunge,” read a post from guitarist Ritchie Van Zandt before it was pulled down following the show.

Plans of wooing the Emerald City were short-lived however, as fans in the music mecca were not impressed. In fact, the dozens in attendance took up arms against the band resulting in a shortened set, their drink tickets were voided by the bar, and as violence ensued, the band is grateful to have made it out alive.

Reaction from a bewildered and pissed off audience ranged from generally negative to outright hostile:

  • “It’s just a bit close to home, dontcha think? Oh, and what the actual fuck, right??!!”
  • “When the fuck did Kurt Cobain ever play an arpeggio sweep??!!”
  • “These guys like… know these bands are from around here, right?? Why in the hell would the come here to do this??”
  • “Just wait til we send some shit-ass band to their podunk little jerkwater town!”
  • “I really don’t recall there being so many in the band or Kurt having such a dynamic vocal range and I cannot say that the addition of either component did the songs ANY good whatsoever.”
  • “Who the fuck re-imagines Nirvana??!!”

One angry fan was ejected by house security for chanting shotgun references threateningly.

The promoter could not be reached for comment and the venue wishes to remain nameless, but both assure the public that Nevermind will not be performing at their venue again. At press time we have learned that the Wagoner brothers have disbanded Nevermind due to a steady stream of death threats.

Well, No Shit!


I am learning that the Mighty Priest have walked back their announced intent to tour as a 4 piece to celebrate their 50th anniversary of forging an immediately identifiable and powerful 2-guitar sound we would come to know as metal…

Whew! I mean it’s bad enough getting jerked off by contemporary acts as well as their heavyweight predecessors and their recurring threats of final tours. How many of you out there are suing Mötley Crüe? And what loopholes did they leave themselves with their bullshit declaration on their “last tour”? I was fortunate enough to take the Who’s last “last tour” and it was stellar, so don’t get me wrong here. But now we have bands with two out of five actual band members trying to drag an incomplete lineup out to celebrate a significant anniversary in the group’s existence?? Shit is just ridiculous at this point. I mean Mick Mars should be free to fill in as MC shouldn’t even be ramping up to tour at this point but for LYING to their fans…
Oh… wait. Nevermind. I am pretty sure Mick would struggle with either Glenn or KK’s parts. Forget I said anything. Stupid idea!!

Sure with album sales being more or less a thing of the past, artists are forced to tour more exhaustively than ever before in order to maintain either a living or, if they are lucky… a lifestyle. The digital age had made life more convenient for most, but not for musicians looking to make an honest living at their craft.

Now I am not using digital download hurting their bottom line as a justification for Judas Priest’s initial position on touring as a 4-piece, but a small part of me gets it. Nobody’s getting any younger and they want to be able to enjoy security and comfort in their twilight years… and album royalties just ain’t what they used to be. So while the economy dictates “get out there and sell sell sell!”, this must be tempered with the old adage “**Give the people what they want.”

**Don’t get me started on the Kinks… speaking of… THPHFFFFT!!!!

Well, this metalhead is thrilled to learn of the might Priest coming to their senses and relenting to give the people what they want. I am quite positive at least one fellow by the name of Andy Sneap feels the same way.

Good News for a Change!

Murl Hartwood is now at IDGAFCO™!

Bringing with him humor, insights, and a lifetime of heartache only a country musician could experience, Murl’s contribution should make for some quality coffee-time reading… An opportunity to pretend this phone you are holding is a full-sized newspaper and you have just flipped to an editorial column penned by someone you trust… Someone you’d grab a cold one with.
This should be good!

Diamonds and Bullshit

Judas Priest’s 50th anniversary tour kicks off here in 2022 and we are now learning that the group will be going out as… get this…
A FOUR-PIECE!!!

Metal fans worldwide are perplexed by this move as the band has spent the last half of a century forging if not defining the two-guitar heavy metal sound. In a world full of Judas Priest fans, tributes, top-notch talent and even (God forbid they bury the hatchet) KK Downing, you mean to tell me that there is nobody who could yoke up and play Glenn & KK with Ritchie??
This is simply not acceptable. But then we live in the time of a Quiet Riot going around with NO original members, so I guess I shouldn’t get myself too worked up. I just can’t help but feel that this move lacks integrity, but in the words of Phil Lynott, “It’s Only Money.”

2022, IDGAFCO, and You…

Here at IDGAFCO, we believe your employer’s time is too important to be wasted while you fruitlessly search for entertaining web content, so we’re going to be teaming up with more artists, bloggers, content developers, and creators to bring you more quality content in 2022! Entertainment, a good laugh, and other such welcomed escapes from modern realities are more important in these troubled times than ever!

We will be here for you with tunes and laughs to help get through these troubled times together.

I mean really… when IDGAF is so central to your mission statement, this is really almost over-performing.